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MFA, Royal College of Art, 2008
BFA, Falmouth College of Art, 2003

Full CV below images

Untitled (installation view), 2010, Oil on paper, wood, polyurethane, inner tubes and puncture repairs, Dimensions variable

Untitled (detail), 2010

By Design, 2009, Oil on paper and wood, Dimensions variable

Secretary, 2009

Figurehead, 2009, Oil on paper, polyurethane, inner tubes and puncture repairs

Replay, 2009, Oil on paper, wood, inner tubes and puncture repairs, Dimensions variable

Bird, 2009, Oil on paper, wood and mylar, Dimensions variable

Untitled, 2009, Oil on paper and wood, Dimensions variable

Muscle, 2009, Oil on paper and wood, Dimensions variable

Rapido Prototype (installation view), 2009, Oil on paper, wood and mylar, Dimensions variable

Barnum Move (installation view), 2009, Oil on paper and wood, Dimensions variable
CRISP, London

Troica (installation view), 2009, Oil on paper and wood, Dimensions variable
CRISP, Los Angeles

All images courtesy the artist and Hilary Crisp, London/Los Angeles

GEORGE YOUNG

SOLO EXHIBITIONS
2010
John Jones Work-on-Paper Prize, London
Hilary Crisp, London, UK
WE-Project, Brussels, BE
2009
Hilary Crisp, London
Hilary Crisp, Los Angeles
Art Rotterdam, Hilary Crisp, London/Los Angeles, Rotterdam, NL

SELECTED GROUP EXHIBITIONS
2010
Jerwood Drawing Prize, London
Insider outsider language, Waterside Project Space, London
X Artworks in a Straight Line (Seeking the Perfect Sphere), Hilary Crisp, London
The Library of Babel, Works from the Zabludowicz Collection, 176, London
2009
John Jones, London
Close To Home, Galleria Davide Di Maggio, Milan
Started 2009, Galerie Klatovy/Klenova, Czech Republic
Offcentre, Kevin Kavanagh Gallery, Dublin
Meetfactory Gallery, Prague, Czech Republic
2008
Annual Members’ Exhibition 2008, Studio Voltaire, London
Pentimenti, Permanent Gallery, Brighton
Start Point Prize (prize winner), Galerie Klatovy/Klenová, Czech Republic
Lanzarote, Keith Talent, London
Show RCA, Royal College of Art. London
2007
Alone in the Dark, Imperial Works, London
Young and Hung, Revolver, Penzance. London
Sculpture Summer Show. Royal College of Art. London
Howie St is Dead, Long Live Howie St, Royal College of Art, London
2006
Spent, Three Colts Gallery, London

BIBLIOGRAPHY
White, Lucy. “Offcentre”, Metro Life, July 2009. Pg. 15
Herbert, Martin. “George Young”, Time Out London, April 2009. Pg. 47

COLLECTIONS
Zabludowicz Collection, London
John Jones Contemporary Collection, London

Education
MFA, University of Southern California, 1996
BFA, Elam School of Art, University of Auckland, 1993

Full CV below images

Trouw (Fidelity), 2009, Dual screen rear projection video installation, 30 minutes

Trouw (Fidelity), detail, 2009, Dual screen rear projection video installation, 30 minutes

Resistance Sculpture (Nostalgia), 2009, 15 photographs + map
Documentation of sculptural intervention, Dimensions variable

Resistance Sculpture (Nostalgia), 2009, detail

Resistance Sculpture (Nostalgia), 2009, detail

Resistance Sculpture (Nostalgia), 2009, detail

Resistance Sculpture (Zardoz), 2010, Fiberglass, mirror, timber and paint, Dimensions variable

House Sculpture (installation view), 2006, Centro Nacional de las Artes, Mexico City

Brenner House, 2006, Centro Nacional de las Artes, Mexico City

Kahn House, 2006, Centro Nacional de las Artes, Mexico City

Untitled (frozen LeCorbusier cube chair), 2003

Untitled (frozen LeCorbusier cube chair) [detail], 2003

Pallets, 2002

Malevich (installation view), 2002
Dimensions variable

Installation view, 1999
Donald Judd Foundation, Marfa, TX

72 x 51 x 41 (installation view), 1999
Donald Judd Foundation, Marfa, TX

All images courtesy the artist and Hilary Crisp London/Los Angeles

RICHARD WEARN

Solo Exhibitions

2010
Hilary Crisp Gallery, London
2007
Centro Nacional de las Artes, Mexico City
2006
Arnoff Center for the Arts, Cincinnati
2004
DaimlerChrysler Offinarte, Mexico City
Conduit Gallery, Dallas
2003
The Physics Room, Christchurch
Headlands Center for the Arts, San Francisco
Linda Schwartz Gallery, Cincinnati
2002
Linda Schwartz Gallery, Cincinnati
2001
Linda Schwartz Gallery, Cincinnati
1999
Chinati/Donald Judd Foundation, Marfa

Selected Group Exhibitions

2010
X Artworks in a Straight Line (Seeking the Perfect Sphere), Hilary Crisp, London
Flat_land, Delft
2009
Agentur, Amsterdam
2008
Side Street Projects, Los Angeles

2007
Once Upon a Time in The Midwest, Reed Museum, University of Cincinnati
Hot Fun, New Center for Contemporary Art, Louisville
A Sense of Place, USC Roski Fine Art Gallery, Los Angeles
2006
Beyond Babylon MAK Center, Schindler House, Los Angeles
2005
Sabados Memories, Art 2102, Los Angeles
2004
Grand Art Cincinnati Contemporary Art Center

2003
Welcome, Linda Schwartz Gallery, Cincinnati, OH
2002
Summer Vacation, Linda Schwartz Gallery, Cincinnati, OH
2001
Small Works, Linda Schwartz Gallery, Cincinnati, OH
2000
Small Works, Linda Schwartz Gallery, Cincinnati, OH
An Active Life, Cincinnati Contemporary Art Center, OH
Faculty Exhibition University of Cincinnati, OH
1997
Teststrip, Auckland, New Zealand
Redial, Striking Distance, Los Angeles
1996
Fancy Pants, Fred Segal, Los Angeles
1995
Visual Exchange, Claremont Graduate School, Los Angeles
The Big Night, Bradbury Building, Los Angeles
Reaction! The Way Things Go, ArtSpace, Auckland
Govett-Brewster Art Museum, New Plymouth
Wellington City Art Gallery
1993
Exchange Building Installations, Wellesley Street Exchange Building
Lightweight, George Fraser Gallery, Auckland
Suffer, Teststrip Gallery, Auckland. Hamish McKay Gallery, Wellington
1992
Implicated and Immune, Fisher Public Gallery, Auckland

Residencies:
Aronoff Contemporary Art Center, Cincinnati USA, 2006
DaimlerChrysler Artist in Residence Mexico City, 2004
The Headlands Center for the Arts, San Francisco, USA 2003
Chinati/Donald Judd Foundation, Marfa Texas, USA, 1999

Awards / Commissions / Fellowships / Scholarships:
New Zealand Ministry of Foreign Affairs, Americas Grant 2007
New Zealand Ministry of Foreign Affairs, Americas Grant 2004
Rockefeller Foundation Project Grant, 2004
University of Wisconsin Milwaukee, Research and Travel Fellowship, 2004
The Headlands Center for the Arts, San Francisco, USA 2003
Ohio State Arts Council Artists Fellowship 2001
Residency Fellowship, Chinati Foundation/Donald Judd Foundation, 1999
Professional Development Grant, Arts Council of New Zealand, 1998
Professional Development Grant, Arts Council of New Zealand, 1997
Teaching Assistant Fellowship, University of Southern California, 1994-1996

Bibliography:
The Los Angeles Times, December 22nd,2006
The Columbus Dispatch, September 10, 2006
The Cincinnati Enquirer, August 23, 2006
La Journada, Mexico City 2004
Arte y Contexto, Barcelona, 2004
La Reforma, Mexico City 2004
The Christchurch Press, by Rosa Shiels
The Cincinnati Enquirer, June 4, 2003
The Cincinnati Enquirer, June 27, 2002 by Marilyn Bauer
ArtNews March, 2001,’Please Touch’ by Katie Clifford
‘An Active Life’ Catalogue by Sue Spaid, Cincinnati Contemporary Art Center, 2000
The Columbus Dispatch, September 19, 2000
The Cincinnati Enquirer, Sept 15, 2000
The Chinati Foundation, Catalogue, 2000
Art Lies n.2 Review by Elizabeth McBride, 1999
‘Redial’ Catalogue, thru Striking Distance, Essay by Mitchell Syrop, 1997
‘Fancy Pants’ Catalogue Essay by Monique Van Genderen 1996
The Los Angeles Times, November 7th, 1996, Fancy Pants by Susan Kandel
‘Reaction!’ Catalogue, Essay by Richard Dale,1995
The Listener July 15th, 1995 Reaction! by Chris Bourke
The Listener Nov 20th, 1993 Exchange Building Installations by S. McKenzie
Art New Zealand no.66, 1993 Artists Against AIDS by Giovanni Intra
Implicated and Immune, Catalogue, 1992

Permanent Collections / Commissions:

Charles Demarais, Deputy Director of Art, Brooklyn Museum of Art
Ulrike Kantor, Beverly Hills, California
Fidelity Investments, Boston, Massachusetts
Deskey Communications, Cincinnati, Ohio
Ellen Meyer and Glenn Madrid, Marfa Texas
Brynn Gabermann and Simon Epstein, Washington DC
Leonardo DiCaprio, Los Angeles, California

Full CV below images

I Hear a Shadow, 2009
Performance at Lambretto Art Project, Milan
Courtesy Lambretto Art Project
Photo credits: Sebastiano Pellion di Persano

I Hear a Shadow (detail), 2009
Performance at Lambretto Art Project, Milan
Courtesy Lambretto Art Project
Photo credits: Sebastiano Pellion di Persano

Gnawing My Own Teeth Behind A Closed Door, 2009
Marina Abramović Presents…, Live performance, stone, audio kit
Manchester International Festival curated by Marina Abramović with Hans Ulrich Obrist and Maria Balshaw
Whitworth Art Gallery, Manchester, UK

Gnawing My Own Teeth Behind A Closed Door (detail), 2009

Lago Morto, 2009, Video installation, monitors, memorabilia, amp

Lago Morto, 2009
Installation view
Kunsthaus Graz, Austria

Lago Morto, 2009
Live Performance
Kunsthaus Graz, Austria

Hymn, 2008
Installation
Video projection on broken mirrors and wood.
12 speakers, 36 audio tracks
Manifesta 7, Rovereto

Hymn, 2008
Installation
Video projection on broken mirrors and wood.
12 speakers, 36 audio tracks
Manifesta 7, Rovereto

Hymn (detail), 2008
Installation
Video projection on broken mirrors and wood.
12 speakers, 36 audio tracks
Manifesta 7, Rovereto

Untitled (mamoiada), 2007-2008
Procession performance at MAN Museum of Nuoro, Sardinia, Italy

Untitled, 2008, Aluminum, wax, fire

Untitled (Dripping on the feet of the mountain), 2009
Installation view, Monitor Gallery, Rome
Video, mirrors, ceramics and aluminium sculptures
Courtesy the artist and Monitor, Rome

Cuckoo, 2008
Installation
Projection on wood
Quadriennale, Roma

Revenge, 2007
Installation and three performances with John Wiese
Burned wood, 60 speakers borrowed from underground bands from Europe
at 52a Biennale di Venezia

Revenge (click here for video excerpt)

Untitled (Song), 2007, DVD with sound, 3:00 (video still)

Cuckoo, 2006-2007
Via Farini, Milan

Cuckoo, 2006-2007

CUCKOO (click here for video excerpt)

I Kate You, 2006
Magazine collage
30 x 30 cm

90 x 60 x 90, 2006
Fashion model’s dimensions hung at a fashion model’s height
Cardboard, tape
90 cm x 60 cm x 90 cm

A Great Circle, 2005
Video manipulated by a soundtrack, performed by the artist and his band, With Love

A Great Circle, 2005
Video manipulated by a soundtrack, performed by the artist and his band, With Love

A Great Circle (click here for video excerpt)

Nico and The Vascellaris, 2005
Video from the performance at First International Prize of Performance
at Galleria Civica di Trento

All images courtesy the artist, Monitor, Rome and Hilary Crisp, London/Los Angeles.

CODALUNGA |A project space by Nico Vascellari|

NICO VASCELLARI

Selected Solo Exhibitions (*catalogue)

2010
Hilary Crisp gallery, London, UK
Museion – Museum of Modern and Contemporary Art, Bolzano, Italy

2009
I Hear A Shadow, curated by A. Lissoni, LAP, Milan, IT
Hilary Crisp gallery, London, UK
Hilary Crisp gallery, Los Angeles, CA
Galleria Monitor, Rome, IT

2007
Untitled, curated by M.R. Sossai, MAN Museum, Nuoro, IT
Revenge, curated by P. Colombo and M. Pignatti, 52a Venice Biennale, Venice, IT
Premio New York, Italian Academy at Columbia University, New York, NY
Untitled, Galerie ArratiaBeer, Berlin
2006
Cuckoo, curated by M. Farronato, Viafarini, Milano, IT
Death Blood War, curated by A. Gregoric, Skuc, Lubljiana Io Ballo Da Solo, Galleria Monitor, Rome, IT
2005
A Great Circle #5, curated by A.Lissoni ,Spazio Lima , Milano
2003
Glitter Secondario, curated by A. van Roosmalen, TENT, Rotterdam

Buio Primario, Galleria Biagiotti, Firenze*
2002
Se Fossi Un Cavallo Da Corso Mi Avrebbero Già Ammazzato, Fabrica, Bologna*

Favole Favole Favole, Studio Camuffo, Venezia
I Don’t Give A Fuck, Morgen, Rotterdam, NL

Selected Group Exhibitions

* denotes a catalogue
2010
Artists of the Future Generation, Pinchuk Art Center, Kiev
5×5, Espai d’art contemporani de Castelló, Spain
X Artworks in a Straight Line (Seeking the Perfect Sphere), Hilary Crisp, London, UK
Plymouth Arts Center, UK
2009
Manchester International Festival, Whitworth Art Gallery, Manchester, UK, curated by Marina Abramović with Hans Ulrich Obrist and Maria Balshaw
Rock – Paper – Scissors, curated by D. Diederichsen, Kunsthaus Graz am Landesmuseum Joanneum, Graz
Mnemocyne, curated by C. Boemio, Pescheria di Pesarò, Venice, IT
Qui E’ Altrove, curated by F. Poli e F. Referza, Palazzo De Sanctis, Castelbasso, IT
Nocturnales, Museion, Bolzano
2008
Manifesta 7, Turin, Italy
Video Report, curated by A. Bruciati, GC.AC., Monfalcone*
My Space, curated by J. Draganovic, PAN, Napoli*
Neon, curated by A. Bonito Oliva, Nomas Foundation,. Roma*
Crossing, curated by R. Gavarro, Museo Pecci, Prato*
Architecture Play, curated by L. Barreca, PAV, Berchidda Manifesta7, curated by A. Budak, Rovereto*
Soft Cell, curated by A. Bruciati, GC.AC., Monfalcone*
15a Quadriennale, Palazzo delle Esposizioni, Roma*
Exposure, Museo de Arte Contemporaneo de Rosario, Argentina Daydream fields, Fondazione Claudio Buziol, Venezia
Leftovers works from Pichler Collection, curated by L.Cerizza and J. Chert, Micamoca, Berlin Notebook, a cura di D.Lotta, Neon fdv, Milano
Focus On Contemporary Italian Art, MAMBO, Bologna Stultifera Navis, curated by A. Bruciati and M. Tagliafierro, Bergamo*
2007
Sculptrue, curated by Hilary Rose Crisp, PawnShop, Los Angeles
Il Velo, curated by A. Busto, Cesac, Caraglio (Cuneo)
Tina b, curated by M. Giovanotti, Laterna Magika, Praga
Bella Vita, curated by D. Isaia and C. Natalicchio, New Chinatown Barber Shop, Los Angeles
Ballads From Our Invisible Parks, curated by A. Lissoni, La Rada, Locarno
Forward Fendi, curated by A. Bruciati, Palazzo Fendi, Roma
The Trumen Show, curated by C. Pilati, Galleria Comunale d’Arte Contemporanea, Castel S. Pietro Terme

DB Collection Italy, Deutsche Bank, Milano

Apocalittici e integrati, curated by P. Colombo, MAXXI , Roma

Signal/segnali video, curated by E. Marras, Casa Angioni, Quartucciu, CagliariOn Mobility, Premio Furla Per l’Arte, curated by G. Maraniello and C. Bertola, Villa delle Rose, Bologna

2005
Channel 6, curated by The Mars Volta, All Tomorrow’s Parties, Camber Sands
Untilted, curated by A Ascari and E Bonaspetti, Ventura 15, Milano Gemine Muse, curated by E. Vannini, Museo della Musica, Bologna Modern Times, curated by M. Sossai, MAN, Nuoro Quotidiana, curated by G. Bartorelli, S. schiavon and V. Barade, Museo del Santo, Padova Della Natura Molteplice, curated by A. Grulli and F. Natoli, Fortezza della Brunella, Aulla Time In Jazz, curated by G. Demuro and A. Fresu, Museo PAV, Berchidda
Padiglione Italia out of Biennale, curated by L. Beatrice, A. Bellini, M. Coccia, C. Leoni, G. Marziani, G. Molinari, F. Pasini, B. Pietromarchi, G. Politi, A. Riva and M. Sciaccaluga, Trevi Flash Art Museum, Trevi
Ad’A, curated by R. Daolio, Rocca Sforzesca, Imola Deficit! 5º Festival Internazionale sullo Spettacolo Contemporaneo, curated by XING, Raum, Bologna Bologna Contemporanea, curated by P. Weiermair, GAM, Bologna Videodrome, curated by M. Chini, Museo Laboratorio, Città S. Angelo Tracce di un Seminario, curated by G. Di Pietrantonio and R. Pinto, ViaFarini/CareOff, Milano Zone di transito, curated by collettivo a+a, Galleria A+A, Venezia Festival Iceberg ‘05, Sala Borsa, Bologna Clip’it, curated by L. Beatrice, Fondazione Sandretto Re Rebaudengo Torino British School at Rome, Roma Teatro Pavone, Perugia; Rotterdam Art Fair, Rotterdam International Biennale of Contemporary Art / Mezinárodní Bienále Současného Umění, Praha (it.)
2004
Saluti da Pelago, curated by P. L. Tazzi, Fondazione Baldi, Pelago La mossa delle idee.videodays.2, curated by F. Strigoli, Atelier Alfieri, Firenze Surely we will be confused, X Corso Superiore di Arte Visiva della Fondazione Ratti, curated by G. Di Pietrantonio and R. Pinto, coordinated by A. Daneri, edificio a shed ex-Ticosa, Como Arte – Jeunesse, curated by Biagiotti Progetto Arte, Istituto di Cultura Francese, Firenze On air: video in onda dall’Italia, curated by A. Bruciati and A. Crippa, Galleria Comunale d’Arte, Contemporanea, Monfalcone, Kunst Meran im haus der Sparkasse, Merano; MACRO, Roma; Fortino di S.Antonio, Bari; Galleria Comunale, Lugo; careof, Milano
2003
imago, curated by A. Bruciati, Galleria Comunale d’Arte Contemporanea, Monfalcone Trans Hábitos, curated by Morgen, Maushabitos, Oporto
2002
Bold, curated by G. Camuffo, Centro Culturale Candiani, Mestre Rotte Metropolitane, curated by Biagiotti Progetto Arte, Palazzo Vivarelli Colonna, Firenze Movement to Performance, curated by Platform, Kunsthall, Vaasa Heavy Petting, curated by W. Murray, De Ooievaar Gallery, Den Haag

Events
2007
Wanted, intervention for Kinkaleri, Galleria Accursio, Bologna
2006
Vuoto Pneumatico, curated by A. Zanchetta, Teatro Junghans, Venezia
Performance, curated by M. Kasli, Liste, Basel Dead of Winter, curated by D.Fuller, HVCCA, Peekskill, NY 2005 Semi Metal, Raum , Bologna A Great Circle #4, Monitor, Roma
Premio Internazionale della performance, curated by Galleria Civica di Trento, Centrale Fies, Dro Hello my Friend: Arts and Music, Oficina di Buenaventura, Castelfranco Veneto Split/Screen – OCTòPUS, a project by N. Vascellari, curated by E. Vannini and F. Pagliuca, Neon, Bologna Our Nature, curated by E. Vannini, Villa Serena, Bologna A Great Circle #1 , radio Città del Capo, Bologna Contemporanea , intervention for Open, Ex Macelli, Prato A Great Circle #0 , Fabrica , Treviso Codalunga, Codalunga, Vittorio Veneto Phonorama, curated by S. Fanti , Raum , Bologna Videodrome, curated by M. Chini, ELETTRO+, Firenze Living Room, curated by S. Fanti, Raum, Bologna MURArt #2, curated by F. Pagliuca and E. Vannini, Club 74, Bologna
2004
MultiEvent, curated by R. Otten, TENT, Rotterdam Nero Magazine # 2, Spazio Lima, Milano Settembrini 45, via Settembrini, 45, Milano
Awards

2007
Rome Prize, Roma
Premio della Giovane Arte Italiana 2006-2007, DARC, Roma
2006
Premio New York, Ministero degli Esteri e Columbia University, New York
Premio Speciale-Premio Razzano, Benevento
2005
Premio Internazionale Della Performance, Dro
2004
Premio Guercino-Premio Iceberg, Bologna Artist in residence presso MGLC, Lubljiana
2000-2002
Artist in residence presso Fabrica, Treviso

Public Collections
Maxxi Museum, Rome
Deutsche Bank, Milan
GC AC, Monfalcone
Man Museum, Nuoro
Arcos Museum, Benevento

Selected press (solo)
2007
Revenge, 52° Biennale di Venezia, Ed. Electa OperaDarc (testi di P. Colombo, A. Bruciati, F. Cavallucci, T. Macri, C. Collu, P. Baldi, A. Mattirolo)
2003
Buio Primario, Biagiotti Progetto Arte Firenze, Edito Misstake, Treviso, (testo di C.Bertola)
2002
Se io fossi un cavallo mi avrebbero gia’ ammazato, Fabrica , Bologna, Edito Fabrica

Press (group)
2007
On Mobility, Premio Furla per l’arte, Electa, Milano
Apocalittici e Integrati, Ed. Electa, Milano (testi di C. Antonelli, P. Baldi, P. Colombo e altri vari autori)
2006
Beautyful Nature,Premio Mauro Manara,Castel S.Pietro Terme, (testo di E.Vannini)
Sound & Vision, Damiani, Pescara, (testi di L.Beatrice, K. Gordon, M. Kelley e altri vari autori)
Liste 06, Liste, Basel, (testo di M. Abramovic)
VideoReport Italia 2004-05, Silvana Editoriale, Monfalcone (testi A.Bruciati,G.Molinari e altri vari autori)
Premio Mario Razzano, Associazione Proposta, Benevento
Video Invitational, Plinio Visona’, Milano (testo M. Farronato)
Every revolution is a throw of dice, Villa Croce, Genova (testo di E. Vannini)
L’immagine sottile, GC.AC, Monfalcone, (Testi A. Bruciati, M. Tagliaferro e altri vari autori)
2005
Iceberg, Comune di Bologna, (testi vari autori)
Zone di Transito, A+A, Venezia, (testo di E. Comuzzi)
Bologna Contemporanea, Damiani , Bologna, (testo di D. Lotta)
Ad’a , Musei Civici, Imola (testo di R. Daolio)
Quotidiana, Gai, Padova (testi di G. Bartorelli e S. Schiavon)
Digital Trance, PAV, Berchidda, (testi vari autori)
Untitled, Postmedia, Milano (testi A. Vettese , A. Ascari e E. Bonaspetti)
Gemine Muse , Gai/Darc , Bologna (testo di E. Vannini)
2004
On Air, Galleria Comunale d’Arte Contemporanea di Monfalcone, (testi di A.Bruciati e A.van Roosmalen)
Quaderni del Corso Superiore di Arti Visive, Jimme Durham, Fondazione Antonio ratti, Ed.Charta, Milano, ( testi di G.Pietrantonio, R.Pinto, A.Daneri, S.Boeri, C.Pietroiusti, J.Durham)
La Mossa Delle Idee , Promere , Firenze , (testo di F. Strigoli)
2003
Trans Habitos, Edizione Maushabitos, Porto, (testi di autori vari)
Imago, Galleria Comunale d’Arte Contemporanea di Monfalcone, (testo di A.Bruciati e S.Chiodi)
2002
Comunication what?, Edizione Ma , Venezia, (testi di G.Camuffo, R.Di Renzo, F.Bonami, O.Toscani e altri vari autori)

Publications (books)

2007
Cujo “Nico Vascellari’s Taxonomy”, Zero edizioni, Milano
2004
Fabrica 10, Ed.Electa, Milano
2003
Fabrica Files 01/06, Ed.Electa, Milano.
Fabrica Files 07/012 Ed.Electa, Milano
2398 gr, Ed.Electa, Milano, ( testi autori vari)

Press (newspapers and magazines) 2007
A. Crippa, “Art & Market”, Tema Celeste, marzo-aprile,n 120, pp 92-97
P. Nicolin, “La nuova arte italiana? E’ a NY”, GQ, aprile,n 91, pp 254-260
R. Sleiter, “Il giovin signor dell’arte da speranza all’arte giovane”, Il Venerdi,16 marzo, n 991, pp 136-137
S. Castelli, “Nico Vascellari”, Expo Arte, aprile-maggio, n 46, pp 106-109
M. Tagliaferro, “La dualita’ del rumore in Nico Vascellari”, Combo, estate, n 0, pp 64-67
G. Amadasi, “No arte no party”, First, giugno, n 5, pag 74
P. Chessa, “Tutti i colori della Biennale”, Panorama, giugno, n 24, pp 160-162
A. Di Genova, “Ai nastri di partenza la sarabanda della Biennale”, Il Manifesto, 6 giugno, pag. 13
T. Macri, “Stop agli effetti collaterali”, Alias,giugno, n 22, pp 6-7
L. Pratesi, “Quando puntare sugli artisti emergenti diventa un’investimento per il futuro”, Affari e Finanza, 21 maggio, n 18, pag 54
G. Amadasi, “Abbattiamo le frontiere”, Max, Giugno, n 6, pag.38
G. Amadadi, “Vivere con l’arte”, Marie Claire, giugno, n 6, pp 84-94
S. Campagnola, “Nico Vascellari-Assalto Frontale”, Flash Art, giugno-luglio, n 264, pp 98-99
S. Chiodi, “Bella sconfitta”, Specchio, Agosto, n 562, pp 166-168
P. Nicolin, “Biennale/Documenta note sul discorso espositivo”, Abitare, luglio-agosto, n 474, pp105-110
A.Brigante, “Sussurri e grida”, Arte, luglio, n 407, pp 43-45
S.G. Battaglia, “52° Biennale di Venezia”,Artkey, giugno-settembre, n 2, pag. 12
F. Battaglia, “Imprevedibile Nico”, Inside, agosto, pag.50
L. Biasi, “L’arte si veste”, XL, Settembre, n 25, pp 191-193
G. Marziani, “Nico & The Vascellaris’, Hot, Settembre, n 49, pag. 59
C. Antonelli, ‘Performing Arts’, Rolling Stone, Ottobre, n.48, pp 156-163
2006
H. Marsala, “Fashion designer, artista o metallaro?”, Exibart onpaper, n 27, p. 48
R. Duke ,”Italia: Post hard core 2006” , Rumore, gennaio,n 168, pp. 38-41
A.Lissoni, “La scelta di”, Tema Celeste, marzo-aprile n 114, p.114
F.Pagliuca “Netmage 06”, Tema Celeste, marzo-aprile n 114, pp. 100-101
L.Beatrice, “Comprate italiano”, Linus, marzo,n 3, pp. 108-110
A. Sbisa’ , “Vintage Avantgarde”, Elle, giugno, n 6, pp. 54-56
M.Smarelli , “Nico Vascellari”, FlashArt, n 258, giugno-luglio, p.124
F.Polvani “DVD”, Blow Up,luglio-agosto, n 98/99, p.113
L.Barreca ,”Nico Vascellari”, Tema Celeste, luglio-agosto, n116, p. 117
V.Nikolaidou, “Nico Vascellari”, Monopoli, luglio-settembre, n 59, copertina + pp. 38-41
H. Buenting, “Sterren” , Mister Moetly, estate 06, pag 48
E. Del Prete, “Appunti sulla sperimentazione audio visiva”, Titolo, primavera-estate, n 50, pp 16-18
R. Duke, “DVD del mese”, Rumore, settembre,n 176, p. 112
D. Cascella, “EyesWideShoot”, Blow Up, settembre, n 100, pp. 134-135
E. Bonfiglio, “Giovani Talenti Cercasi”, Kult, novembre, pp 104-109
V.Ciuffi, “Cuckoo Cuckoo Vascellari”, Rodeo, novembre/dicembre, n 32 pag 33
R.Tenconi, “Introducing”, Mousse, novembre, n 4, pp 70/71
M. Farronato, “Sic Transit Gloria Mundi”, Daemon, novembre, n 15, copertina + pp 56-60
M.L. Frisa, “Esploratori del futuro”, L’espresso, novembre, n 47, pp 26-30
2005
A. Grulli, “Dal punk Con Amore” , Daemon, Marzo, n 11, copertina + pp. 40-41
T. Bisagno, “Nasce Codalunga” , Il Gazzettino, Maggio, n 100, p. 4
M. Amaduzzi” , “Deficit!” , La Repubblica, Maggio, n 124, p. 13
A. Bruciati, “Padiglione Italia” , I Love Museums, Giugno, n 3, pp 22- 23
M. Po , “Vascellari porta in auto video e suoni per strada” , La Repubblica, Giugno, n 134, p.13
F. Strigoli , “Quella sottile linea d’ombra” , Drome magazine, Giugno-Agosto, n.4 , pp. 12-15
J. Joelson , “Nico Vascellari” , FAB, Fall 2005, pp. 62-65
B. Casavecchia , “Piccoli scandali” , D La Repubblica delle Donne, settembre, n 467 ,pp 236-237
E.Vannini. “Nico Vascellari” , Around Photography, ottobre-dicembre, n 07, pp. 24-25
A.Lissoni , “Punk nel bosco”, Rolling Stone, novembre, n 25, p. 204
S.De Dominicis, “Nico Vascellari”, ArteeCritica, ottobre-dicembre, n 44, p.77
S. Folie , “Giovani performers Vince la famiglia”, Work Art in progress, n 14, copertina +pp 34-43
A. Vignoli, “A Great Circle”, Made05, n 5,copertina + pp 90-94
C.Pilati, “Note dal vivo,video e sfilate”, La Repubblica, Novembre,
M.R.Sossai,”Ouverture”, FlashArt, dicembre-gennaio,n 255,p 93
2004
A.Sigolo, Imago,”Flash Art”, febbraio-marzo 2004, n244, p.150
F.Polvani, D’Amore e altre catastrofi, “Blow up” settembre, n76, pp. 46-48
2003
M.Bos, Filmset in Tent, “Ruit Magazine”, settembre 2003, n7, p17
S.Smets,Tent Magazine, “Underground:het schoduwrjk van het ondergrondse”, settembre 2003, n7, pp.82-83
A.Van Willigenburg, The animal man, “Container” settembre 2003, n0, pp74-79
M.Chini, Nico Vascellari, “Flash Art”, agosto-settembre 2003, n241, p.133.
C.Bertola, Vedere al buio, “Sugo”, giugno-luglio 2003, n0, pp55-62.

Special Projects

2007
Exibart on paper, copertina, giugno-luglio, n 40
2005
Heads Esperimento 01, “Sugo” , # 2 , pp 46-47 + poster
7 Ritratti, “>bmm”, n 14, pag 107
2004
Untitled # 1-2-3, “FFWD” ottobre 2004, n2, pp.32-33-34-35
2003
Dove ogni cosa ha inizio e fine, “Jung”, luglio n2, pp.168-170-193-194-216-234, credit Sissi, pp.244-245, credit Nico Vascellari &Sissi, pp.252-254-285-286-298-304, credit Nico Vascellari
2002
Centerfold,”Assen in Rotterdam”, luglio/agosto 2002, pp.8-9

EDUCATION
MFA, Otis College of Art and Design, Los Angeles, CA, 1999
BA, University of Michigan, Ann Arbor, MI, 1989

Full CV below images

A Short Film About Looking, 2010, HDV with sound, 4:30 minutes

Torch Trouble, Live Performance (with Michael Webster), Happy Lion, Los Angeles, 2010
Image courtesy Marshal Astor

Studio Sessions (Studio Visit, 2005), San Francisco Museum of Modern Art (installation view), 2009

DOODE DOGG (with Gary Cannone, Gerald Davis, Dave Deany, Charles Irvin, Joe Sola), 2009
W.P.A., Los Angeles

Hard Targets: Masculinity and Sport (Saint Henry Composition, 2001), Los Angeles County Museum of Art (installation view), 2008

In the Woods, 2008, DVD with sound, 6:00 minutes

Shakey’s, Live Performance (with Michael Webster), Los Angeles Contemporary Exhibitions, 2006

Watercolor (2006), DVD with sound, 5:00 minutes

Studio Visit (2005), DVD with sound, 8:00 minutes

More Cinematic Los Angeles County Museum of Art (2003), Digital video loop with sound.

Riding with Adult Video Performers (2002), DVD with sound, 2:00 minutes

Climaxes 1966-2001 (2002), DVD with sound, 1:30 minutes

Saint Henry Composition (2001), DVD with sound, 5:00 minutes

Armageddon Rental (2001), 1:30 minute excerpt

Come Ons (2000), DVD with sound, 2:00 minutes

JOE SOLA

Solo Exhibitions (*catalogue)

2009
Happy Lion, Los Angeles
Open Space, CRISP, London/Los Angeles, Art Cologne, Germany
2008
SOLO SOLO: Male Fashion Models Make Conceptual Art curated by Jenée Misraje, CRISP, London, England
New York Mega Millions and other work, Bespoke Gallery, New York, NY
2007
The Buck Stops Here, Bucket Rider Gallery, Chicago, IL
3’s, p/m Gallery, Toronto, Canada
2006
Let’s Go Do Some Watercolor Painting, Bespoke Gallery, New York, NY
Grin and bear it, Wexner Center for the Arts, Columbus, OH
Taking a Bullet, Atlanta College of Art, Atlanta, GA *
2005
Taking a Bullet,  Los Angeles Contemporary Exhibitions, Los Angeles, CA *

Group Exhibitions

2010

Substitute Teacher co-curated by Regine Basha and Stuart Horodner, Atlanta Contemporary Art Center, GA
Hard Targets, Wexner Center for the Arts, Columbus, OH

2009

Mixed Signals, Cranbrook Art Museum, Cranbrook, MI curated by Chris Bedford *

The Studio Sessions, San Francisco Museum of Modern Art, San Francisco, CA
Vancouver Biennale, Vancouver, BC, Canada
With Gratitude, traveling through ICI, New York, curated by Jane Simon
2008
Hard Targets: Masculinity and American Sport, Los Angeles County Museum of Art, LA, CA
California Video, J. Paul Getty Museum of Art, Los Angeles, CA (screening)
2007
Dark Mirror, San Francisco Museum of Modern Art, San Francisco, CA (screening)
Night of the Living Dolls, Hammer Museum, Los Angeles, CA (performance)
Super Secret Cachet, Angstrom Gallery, Los Angeles, CA
Inaugural Group Show, Bucket Rider Gallery, Chicago, IL
2006
Reckless Behavior, J. Paul Getty Museum, Los Angeles, CA
Signs of Life, Atlanta Contemporary Arts Center, Atlanta, GA
Humor Me, Kansas City Art Institute, Kansas City, KS
Drawn In, Torrance Art Museum, Torrance, CA
Cavities, University Art Gallery, Cal State Fullerton, Fullerton, CA*

Delusionorium 3, Grand Central Arts, Fullerton, CA*
2005
Rogue Wave 05, LA LOUVER Gallery, Los Angeles, CA *
Landmarks, Portland Institute for Contemporary Art, Portland, OR *
Still: Things Fall from the Sky, UCR/California Museum of Photography, Riverside, CA *
Dreaming of a More Better Future, Cleveland Institute of Arts, Cleveland, OH
2004
Ritalin, Art2102, Los Angeles, CA curated by Renaud Proch
Pop, Play, Replay, Contemporary Artists Center, North Adams, MA
2003
17 reasons, Jack Hanley Gallery, San Francisco, CA
Recon/Decon, Pacific Film Archives, Berkley Museum of Art, Berkley, CA
Corporeal Punishment: The Body of Evidence Lies Naked and Bruised, Video Mundi, Chicago Cultural Center, Chicago, IL
2002
California Biennial, Orange County Museum of Art, Newport Beach, CA*
Brand Spanking New, Wexner Center for the Arts, Columbus, OH
Gimme Shelter, Museo Rufino Tamayo, Mexico City, Mexico
WORDSinDEEDS, Portland Institute of Contemporary Art, OR
Heaven Knows I’m Miserable Now, LOW Gallery, Los Angeles, CA
How Do We Know the Sky Isn’t Really Green and We’re not Just Colorblind?, Johan Grimonprez Video Lounge, Project Room, Santa Monica Museum of Art, CA
2001
City Game, Centrum Beeldende Kunst, Rotterdam, Netherlands
Forever Infinite, Black Dragon Society, Los Angeles, CA
Alone Again, (Naturally), The Standard Hotel, Los Angeles, CA curated by Yvonne Force
Fluxus Revisited, Art in General, New York, NY
2000
In Site 2000, San Diego, CA + Tijuana, Mexico *
Short Video Works, Instituto Cubano del Art e Industria  Cinematografico, Havana, Cuba in conjunction with the Havana Biennial
VA(MEDIA.DOC.)VA, Association for contemporary Art, Sophia, Bulgaria
1999
RE: Rauschenberg, Marcel Sitcoske Gallery, San Francisco, CA curated by Stuart Horodoner
Cold Drink, Artists Space Gallery, New York, NY
Videophoto, Bucknell Art Gallery, Bucknell University, PA
5th Mostra De Video, Centre de Cultura Contemporania de Barcelona, Spain
Geneva Media Arts Biennial of Moving Images, Center for Contemporary                                                    Images Geneva, Switzerland *
1998
Inventory,  White Columns, New York, NY curated by Paul Ha
Pandaemonium, The Lux Center, London, England  *
Second Nature,  New Wight Biennial, New Wight Gallery, UCLA, Los Angeles, CA
Caption, Three Day Weekend, Los Angeles
1997

Current, Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY

BIBLIOGRAHPY

2010
Hebron, Micol. Critic’s Pick, Artforum, January 2010
Knight, Christopher. Los Angeles Times, 22 January, 2010

2009

Smith, Roberta “Chelsea Galleries-Chockablock With Art Encyclopedic in Range,  The New York Times, November 18, 2009, A. 1.

2008

Smith, Sarah-Neel, “Hard Target: Masculinity and Sport” Frieze, October, Vol 119, 2008. P.100.
2007

Eler, Alicia. “Joe Sola” Time Out Chicago, Issue 141: November 8-14, 2007, p. 68
Hawthorne, Christopher. “Reminder of our impermanence here,” Los AngelesTimes, 15 May, 2007, E1+16.
Waxman, Lori. “Joe Sola” Artforum.com, November 8-14.

2006

Auslander, Phillip “Joe Sola, Atlanta College of Art Gallery” Artforum, April. 2006,Volume 64, No. 8, p. 252
Corsano, Otiono “Cliffhanger” ART US, June-August, Volume 14, pp 18-21.
Fester, Felecity “Movie Crazy” Creative Loafing, March 7-14, 2006, p.24
Frank, Peter “Still Things Fall from the Sky” Artweek, February Volume 37, Issue 1, 2006, pp. 15-16
Niemi, Llona “Humor Me” Artpapers, May/June, Vol 30, No 3, p. 60
Nesbitt, Peter “Slight of Hand: Understated drawing in an overstated time” Art on  Paper, Vol 10. No. 5, pp 33-35
Sirlin, Deanna “Joe Sola Atlanta” Artpapers, March/April, Volume 30, No 2. pp.53-54
Thorson, Alice “’Humor Me’ is heavier than it looks” The Kansas City Star, February    23, 2006 p. 30

2005

Fogarty, Steve, “Worlds of Tomorrow” The Chronicle-Telegram, October 21, 2005
Goddu, Jenn, “Things fall into Place for ‘Sky’ group show, Chicago Tribune, June 10, 2005 C32
Hickson, Katherine, “The sky is falling“ Time Out Chicago, July 9-16, 2005, p56.
Litt, Steven, “Artists’ visions of the future range from goofy to grave” The Plain Dealer,    November 27, 2005 J6
Ollman, Leah, “Things Fall,’ but not quite together,” Los Angeles Times, November 23, 2005, E24-25
Pagel, David. “Summer sampler has a dark side” Los Angeles Times, 8 July, 2005, E2

2004

Buuck, David, ‘Tonite!’ at Spanganga” Artweek, Issue 10, Dec 2003/Jan 2004, p.34
Myers, Julian, “tonite” Frieze, January, Issue 80, pp. 102-103

2002

Frank, Peter “2002 California Biennial” LA Weekly, August 30-September 5, 2002, p. 136
Gellantly, Andrew, “2002 Orange County Biennial Orange County Museum of Art,” Frieze. Nov/Dec, Issue 71, 2002, p. 112
Hofmann, Irene Catalogue, 2002 California Biennial, 2002 pg 42-46
Marlos, Daniel, “Climax Artist,” Adult Video News, December, 2002
Mendenhall, Lauri, “A Multi-Layered Debut,” Coast, June 2002, pp 86-88
Pagel, David “‘California Biennial’ is on the right laugh track,” LA Times, July 17, 2002, F1
Pincus, Robert, “Ordinary Strangeness,” The San Diego Union-Tribune, June 20, 2002, p. 38-39
Row, D. K., “Two Hands Clapping,” The Orgonian, June 23, 2002
Row, D. K., “The Connectors, The Orgonian, May 12, 2002,  D1*
Schoenkoph, Rebecca, “ Conceptualists’ Stories,”  OC Weekly, July 12, 2002, p. 11
Walsh, Daniella “Avant Art” Rivera, May-June, 2002, pp 198-1999Walsh, Daniella, “Exhibit Two Years       Young,” Orange County Register, June 2, 2002

2001

Painter,  Jim “Hollywood Cameras Coming to St. Henry, The Daily Standard, April 14,2001, A1

FELLOWSHIPS AND RESIDENCIES

2005
Wexner Center for the Arts Residency, Columbus, OH
2003
Wexner Center for the Arts Residency, Columbus, OH
2002
LEF Foundation, St. Helena, California
2001
Wexner Center for the Arts Residency, Columbus, OH
1999
Virginia Center for the Creative Arts Fellowship
1997
Jerome Foundation New York City Media Arts Grant, St. Paul, MN

LECUTURES

2007
Saint Louis Museum of Art, Saint Louis, MO
2005
High Museum of Art, Atlanta, GA
2001
Orange County Museum of Art, Newport Beach, CA

MFA, University of California Los Angeles, 2007
BFA, Maryland Institute, College of Art, 2002

Full CV below images

Le Voyage (2009), Tape and paint on panel, 245 x 125 cm

Untitled (spells) from the Philip K. Dick Series (2009), Ink on paper, 3 x 3 in. each
Art project commission, artUS Magazine, Issue 27

YAY (2009), MDF, magazine cutout, transparency, glue, 32 x 79 cm

YAY (2009), MDF, magazine cutout, transparency, glue, 32 x 79 cm

Untitled (panel) (2009), Tape on wood, blood, 95 x 95 cm

Fucked Up Drawing Party drawing (Viva Los Muertos) with Daniel Gaines, (2006-present)

Fucked Up Drawing Party IX.9 (2009)
Eighth Veil, Los Angeles

Orb of Branches (Ball of Sticks) (2008), Wood, paint, rope, Dimensions variable
MacDowell Colony, New Hampshire

Orb of Branches (Ball of Sticks), (2008), detail, Wood, paint, rope, Dimensions variable

Untitled (Snow White II) (2008), Wood, newspaper, string, plastic, Dimensions variable

untitled (tape drawing) (2005), Artist’s tape, 120 in x 120 in / 304 cm x 304 cm

Untitled (tape drawing) (2004), Artist’s tape, 84 in x 84 in / 213 cm x 213 cm

#356 (Amsterdam Quaternities) (2002-2008), Ink on paper, 3 in x 3 in / 8 cm x 8 cm

#695 (Amsterdam Quaternities) (2002-2008), Ink on paper, 3 in x 3 in / 8 cm x 8 cm

NATHAN DANILOWICZ

Solo Exhibitions

2009
Une Oasis d’Horreur dans un Désert d’Ennui, CRISP, London, UK
2008
Amsterdam Quaternities, CRISP, London, UK
All Internal, CRISP, Los Angeles, CA
2004
Interstate Mutilate, H. Lewis Gallery, Baltimore, MD

Selected Group Exhibitions

2010
BROMENCLATURE curated by Frank Ryan, FIVE THIRTY THREE, Los Angeles

2009
Fucked Up Drawing Party IX.9, Eighth Veil, Los Angeles
IN ACCORDANCE WITH NECESSITY: A Night of Contemporary Performance, FIVE THIRTY THREE. Los Angeles, CA.
Lovable Like Orphaned Kitties and Bastard Children, curated by Kristin Calebrese, The Green Gallery East. Milwaukee, WI.

2008
Party Favors curated by Holly Meyers, Bonelli Contemporary, Los Angeles

2007
Don’t Torture the Rotten Ducklings, curated by Gean Moreno. Peck
School of the Arts, Inova. Milwaukee, WI.
The Fucked Up Drawing Party Meets The Suitcase, Raid Projects, Los Angeles, CA
Horrorshow, Telic Arts Exchange, Los Angeles, CA
Queen’s Nails Annex: Marfa, The Waypoint, Marfa, TX.
Underworld, Salon Oblique, Venice, CA.
If Something Has to Change, Shotgun Space, Los Angeles, CA
MFA Thesis Exhibition, New Wight Gallery University of California, Los Angeles, CA
Meltdown, Salon Oblique, Venice, CA.

2006
Rose Bowl Flea Market Biennale, Outpost for Contemporary Art, Pasadena, CA.
Greater Los Angeles MFA Exhibition 2, California State University, Los Angeles, CA
Quiver, Cirrus Gallery, Los Angeles, CA
DEMONS to Diamonds, Locust Projects, Miami, FL

2005
Incognito Invitational, Santa Monica Museum of Art, CA
Greater Los Angeles MFA Exhibition, California State University, Los Angeles
L.A. Arts for Katrina, LA Design Center, CA

2004
Refresh Galerie Francoise E.S.F., Baltimore, MD
Annual Salon Show, Mount Royal Tavern, Baltimore, MD
London Biennale (draw_drawing) Gallery 32, London, UK
Art Connections at MICA, Maryland Institute, College of Art
2002
Double Feature, Mount Royal Station Auditorium, Baltimore, MD
Front Porch for You Not for Me, Mount Royal Ave., Baltimore, MD
2001
Book Arts Show, Maryland Institute, College of Art
2000
Stable Round Up, Galerie Françoise E.S.F., Baltimore, MD
Step Right Up! Phillip’s Emporium, Bloomsburg, PA.
MICA Jury Show, Maryland Institute, College of Art.
1999
MICA Juried Foundation Show, Maryland Institute, College of Art.

Awards / Commissions / Fellowships / Grants / Residencies:

2009
John D. and Catherine T. MacArther Travel Grant
2008
Leon Levy Foundation Grant
Macdowell Colony, New Hampshire
2006
UCLA University Fellowship
2004
UCLA University Fellowship
2001
Francis B. Harvey Scholarship
2000
Seymour Mandelbaum Scholarship
1998-2001
Maryland Institute Scholarship
1998-2001
Presidential Scholarship

Bibliography:

2009

Thomas McDermott, “In Accordance with Necessity at Gallery Five Thirty Three”, Mania Magazine, UCSD, San Diego. April 2009.
Francesca Gavin, British Elle, May 2009, Pg. 131
Ellon Lupton. Indie Publishing: How to Design and Publish Your Own Book, Princeton Architectural Press, November 3, 2008. Page 61.

2008
JJ Charlesworth. Time Out London, Review; “Amsterdam Quaternities”, September 2008
Editor Alex Israel, “Jason Rhoades’ Black Pussy Cocktail Coffee Table Book.” Steidl David Zwirner, February.
2007
Tamara Devrient, “Pioneers and Entrepreneurs: French Immigration in the Making of Los Angeles.” France Los Angeles eXchange, CA.
Editor Monique Van Genderen, “Art 150″, Lulu.com.
2006
Editor Mary Watkins, UCLA Graduate Quarterly, fall 2006, los angeles, ca.
Bruce Hainley, “Artquake”, New York Times Magazine, style, October 1, 2006.
Art Director Amir Fallah, UCLA Department of Art Graduate Studies Catalog, Los Angeles, CA.
Carlos Suarez De Jesus, “School’s Out: Locust rings the bell with adolescent despair and lollipop dreams”,
Miami New Times, Miami, FL. April 6.
2005
Art Director Amir Fallah, UCLA Department of Art Graduate Studies Catalog, Los Angeles, CA.
Editor Kim Carlin, Contact: MICA Quarterly Newsletter, Maryland Institute, College of Art, Winter.
2004
Jonathan Pitts, “Art’s Opposites Form a Theme in ‘refresh,” The Baltimore Sun. Baltimore, MD., August 5.
2003
James Doorne, “Death Becomes Fur,” Bizarre 76, IFC Magazines. London, England, September.
2002
Crispin Sartwell, “A New Direction for Public Art,” The Baltimore Sun. Baltimore, MD., June 7.
2000
Mike Giuliano “Fresh Horses,” City Paper, Baltimore, MD., August.

Published Essays:

2009
“Skowhegan,” “Dear Amelia Jones,” “Unbaptism,” Penny Ante Three, 2009.
Published by Rebekah Why
“Franz Ackermann and Richard Jackson”, ArtUS 26 Spring 2009, Published by the Foundation for International Art Criticism.

2008
“Takashi Murakami” ArtUS 24/25 Fall-Winter 2008-2009, Published by the Foundation for International Art Criticism
“Art Basel Miami Beach” ArtUS 22 Spring, Published by the Foundation for International Art Criticism
2007
“The Ambassadors: Satan, Male Bliss, and The Filth.” ArtUS 21 Dec/Jan, Published by the Foundation for International Art Criticism
“The Occidental Death of Jason Rhoades,” ArtUS 18-May/June, Published by the Foundation for International Art Criticism

Performances:

2006
Green/Red Confluence, warner studios, culver city, CA
Gnomiclature of the 4th Uni-Pyre, Moonlight Mesa, Joshua Tree, CA
The Black Pussy Soiree Cabaret Macramé, Los Angeles, CA
2005
Killer Body, UCLA campus, Warner Building, Culver City, CA
Jet d’Eau-leans, California State University Long Beach, CA
Cliché Clean Up, UCLA campus, Warner Building, Culver City, CA
2004
Turtle Pie, UCLA campus, Kinross South, Los Angeles, CA
Shot, Talking Head Club, Baltimore, MD
2001
Harvest Moon, H&H Surplus Building, Baltimore, MD
1999
Redman, Susquehanna Valley Mall, Selinsgrove, PA

Curatorial:

2005
Southern Exposure, UCLA Wight Gallery, Los Angeles, CA
2004
Refresh (co-curator), Galerie Francoise E.S.F., Baltimore, MD

Lectures:
2007
“Jason Rhoades: Experience, Presentation, and Taboo” Otis College of Art and Design, AHCS 220 Contemporary Art History, Los Angeles, CA
2006
“Comic Books and Performance Art” Otis College of Art and Design, AHCS 120 Intro to Visual Culture, Los Angeles, CA

Education
MFA, Hunter College, New York, NY, 2006
BFA, Cleveland Institute of Art, OH

Full CV below images

Coil (2009), Strapping tape, steel, motors, Dimensions variable

Inkblot V (2009), Insulation tape, plastic, foam, motors, 40 x 92 x 48 cm

Curdled (2009), Insulation tape, plastic, foam, motors, 80 x 120 x 130 cm

Cyclops (2009), Monofilament tape, plastic. metal and motor, 98 x 65 x 90 in., Pace University, New York, 2009

Cyclops (2009), Monofilament tape, plastic. metal and motor, 98 x 65 x 90 in., Pace University, New York, 2009

The Wishing Well (2005), wood, trash and motors, 168 x 125 x 125 in., Contemporary Art Center, Cincinnati, OH, 2006

The Wishing Well (2005), wood, trash and motors, 168 x 125 x 125 in., Contemporary Art Center, Cincinnati, OH, 2006

Untitled (white blob), 2005, Vinyl, wood, aluminum and motor, 60 x 86 x 86 in.

Untitled, 2004, Dimensions variable

Untitled (detail), 2004, Dimensions variable

All images courtesy the artist and CRISP London/Los Angeles.

CHARLOTTE BECKET

SOLO EXHIBITIONS
2009
CRISP, London, UK
Peter Fingesten Gallery, Pace University, New York, NY
2006
Gadget: Mechanics and Motion in Contemporary Art, Contemporary Arts Center, Cincinnati, OH
Taxter and Spengemann, New York, NY
2005
Taxter and Spengeman, New York, NY
2004
Taxter and Spengeman, New York, NY

SELECTED GROUP EXHIBITIONS

2010
John Museum, Cornell University, NY
Pace University, NY
The Tiller Effect curated by Emmy Mikelson, New York Studio Gallery, NY

2008
Rose Colored Glasses, Passerby Gallery, New York, NY
2007
Cerca Series: Peter Simensky, Museum of Contemporary Art San Diego, La Jolla, CA
From Here to Infinity & The Big Bang, Spaces, Cleveland, OH
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
2006
Materiality curated by Erin Abraham, Kraverts/Wehby, New York, NY
The Joan Mitchell Foundation 2004 & 2005 MFA Grant Recipients, CUE Art Foundation, New York, NY
2005
Kantor Feuer Window, Kantor/Feuer, Los Angeles, CA
Hunter College MFA Thesis Exhibition, Hunter College Times Square Gallery, New York, NY
Heaven Is a Place Where Nothing Ever Happens, Heights Arts, Cleveland, OH
The Art Review 25: Emerging US Artists curated by Joao Ribas and Daniel Kunitz, Philips de Pury & Co., New York, NY
1999
Projects in Design, The Sculpture Center, Cleveland, OH

SELECTED BIBLIOGRAPHY

2010
Gavin, Francesca, 100 Contemporary Artists, published by Lawrence King, UK
2009
Coomer, Martin. “Charlotte Becket”. Time Out, London, September 2009
2007
Litt, Steven.  “Cleveland Institute of Art Exhibits Celebrate Its Graduates” The Plain Dealer. September 25, 2007.
Carrier, David.  “Why Curators Matter” Cautionary Tales: Critical Curating. New York.  Apexart, 2007. P. 86
2006
Schutz, Dana.  “Best of 2005: The Artist’s Artists” Artforum, December 2005, p. 107
Johnson, Ken.  “Charlotte Becket” The New York Times, Weekend Arts p. A28.
Morton, Julia.  “Charlotte Becket” The New York Press.  Janaury 19th-25th 2005, p.46.
Ribas, Jo.  “Debut: Discovering Emerging Artists, Charlotte Becket” Art Review, March 2005, p. 113.
Bellini, Andrea. “New York Tales: Reflections in a Glass Curtain” Flash Art, March-April 2005, pp. 108-110.

AWARDS
2005
Tony Smith Award
Joan Mitchell Foundation Grant
2002
Mary C. Page Memorial Grant
2001
Lisa Noble Scholarship
Ted Frost Traveling Grant
Eastman-Balton Memorial Prize
2000
Carl Gaertner Prize

VISITING ARTIST PRESENTATIONS
2005
Cleveland Institute of Art, Cleveland, OH
2006
The College of Saint Rose, Albany, NY
The Contemporary Art Center, Cincinnati, OH